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Greatest Ashok Kumar Movies | Filmfare.com

Best Ashok Kumar Movies | Filmfare.com
Ashok Kumar is frequently called our very first celebrity. He was famous for his dapper good looks and trendy dialogue delivery considerably before these things became a standard in our business. Ashok played the protagonist in the 1930s to’60s and had the exact masses rooting because of his charisma throughout. He was a natural performer who learnt the principles of acting at work and made each scene count. He may always be counted to provide a memorable performance in every one of his trips. On the event of the birth , we bring a record of some of the finest films down all ages.

Achhut Kanya (1936)

Manager: Franz OstenCast: Devika Rani, Ashok Kumar

Lately, Ashok Kumar was forged in the movie because the first actress attempted to elope with producer’s wife (Devika Rani, that made a decision to return ). Kumar played with a Brahmin’s son in love with the untouchable woman played with Devika Rani. Director Franz Osten did not shirk away from portraying the fact of the situation along with the movie is remembered because of its extreme mob scenes. It is famous for its musical score too and its own song, Main prohibit ki chidiya sung by the crystal celebrities remains famous today. Incidentally, the audio has been granted by Saraswati Devi, one of those sexiest girls composers within our market.

Kismet (1943)

Manager: Gyan MukherjeeCast: Ashok Kumar, Mumtaz Shanti, Shah Nawaz, Mehmood

This is termed as Bombay Talkies many prosperous movie and earned because of the protagonist Ashok Kumar the label of this celebrity. The expire for its suave, urban legends was throw and Ashok Kumar’s urban chic functions as a version even today. The movie initiated the missing and found formulation. Additionally, the people admitted that top characters may be grey-shaded too. Ashok Kumar plays a loveable woman who plans a heist in his very own home. He had been separated from his parents as a kid and does not recall them. He drops supporting a series he constantly wears throughout the prosecution which results in him being clubbed along with his own parents. The movie was way before its time in the feeling that it revealed the heroines’ sister to become pregnant prior to marriage. The movie is also famous for its Nationalistic tune, Door hato ae duniyawalon Hindustan hamara hai. The British believed lyricist Pradeep was composing anti-German along with anti-Japanese slogans at the center of World War however, Indians obtained its authentic significance. From the time that the British realised itwas too late. Yet another tune, a duet involving Ashok Kumar and Amirbai Karnataki, Dheere dheere, can be recalled till date. The Shammi Kapoor-Madhubala along with Dharmendra starrer Boyfriend (1961) had the identical plot.

Mahal (1949)

Manager: Kamal AmrohiCast: Ashok Kumar, Madhubala

Kamal Amrohi’s timeless can be home to several firsts — it began off the tendency behind reincarnation thrillersand it turned into out 16-year-old Madhubala to a celebrity and created Lata Mangeshkar to a family name. Her haunting rendition of this Aayega aanewala remains popular even now and also the envy of those singers too. The terse cinematography by German cinematographer Josef Wirsching, emphasising shadows and closeups and reminiscent of German expressionist cinema inserted into the movie’s allure. The movie was the largest earner in the Indian film office that season and was just another feather at Ashok Kumar’s cap, that was also among the manufacturer’s of the movie.

Sangram (1950)

Manager: Gyan MukherjeeCast: Ashok Kumar, Nalini Jaywant

The movie could be regarded as the version for its Dilip Kumar-Amitabh Bachchan starrer Shakti (1982). Ashok Kumar played with a young man forced to be a criminal since he could not come to terms with all the straight-laced methods of his rigorous policeman father. The passing scene involving the dad (Nawab) and boy (Ashok) is unforgettable. It is said the movie faced criticism because the authorities believed it delivered wrong signals to this society. Shashi Kapoor played the role of the youthful Ashok Kumar.

Bewafa (1952)

Manager: ML AnandCast: Ashok Kumar, Nargis Raj Kapoor

Roopa (Nargis) has been made to operate by her own alcoholic uncle, that also mistreats her time. A woman dwelling within her chawl, Raj (Raj Kapoor) after assists her out by giving her a little cash and they eventually become friends. However, her position worsens daily. She would like to commit suicide but is rescued by a rich writer Ashok (Ashok Kumar). Stunned by her beauty, he asks her to pose to himpaying her handsomely for this. The duo comes shut and she’s to reside in his mansion. Raj re-enters her entire life in this juncture. She has not forgotten him soon falls for himmaking Ashok mad as he wished to wed her. However, Roopa appears to have eyes just for Raj. What she does not understand is that Raj has just befriended her to get at Ashok’s riches through her. Whether he will succeed in duping Roopa along with Ashok the two creates the crux of the movie. Nargis along with Ashok Kumar were in good fettle and Raj Kapoor impressed with his belief of a minimal life whose sole aim is to become wealthy by hook or crook

Parineeta (1953) 

Director: Bimal RoyCast: Ashok Kumar, Meena Kumari, Manorama

According to Saratchandra’s 1914 publication of the identical title Parineeta takes one to a planet where a glimpse was sufficient to communicate a million words. Lalita (Meena Kumari) is an orphaned niece of an impoverished clerk called Gurucharan (Nazir Hussain). Shekhar (Ashok Kumar), is that the son of the wealthy landlord . Lalita has ever enjoyed Shekhar. She enjoys to take part to his chamber, keeps his cabinet clean and likes to maintain his mother company. 1 evening, about a moonlit night, both exchange garlands. For Lalita, that is enough. She starts to think of herself as Shekhar’s wife. Gurucharan is indebted to Shekhar’s dad, who’s after their land. After a stranger Girin (Asit Baran) pays the loan off from the goodness of the heart, it has indicated that Gurucharan has offered his daughter into Girin. To conserve Lalita’s standing, she is to be married to Girin. An upset Shekhar also insists to get married. This psychological storm becomes weathered by some fast thinking on the portion of Girin.

Howrah Bridge (1958)

Director: Shakti SamantaCast: Ashok Kumar, Madhubala, KN Singh, Om Prakash

Prem Kumar (Ashok Kumar) journeys to Kolkata by Rangoon if he comes to understand his brother Madan (Chaman Puri) was murdered on Howrah Bridge. Madan had murdered their household’s priceless heirloom, a jewelled warrior hide, and had run off to Kolkata to market it. He matches Edna (Madhubala), a nightclub singer who wants to allow him to get into the bottom of matters. He gets familiar with a motley group of smugglers, Joe (Dhumal), Chang (Madan Puri), also Pyarelal (K.N. Singh) and pretends to combine them so as to get to understand the reality. An eyewitness to the murder disappears along with Prem must not just use his wits but also his fists to be sure that the offenders become captured along with his deceased brother will get justice. There was not any mystery regarding the identity of the murderer a se since the crowd had seen him since the start. The movie is much more famous today due to its tunes including Mera naam chin chin chu, picturised on Helen, along with Aaiye Meherbaan, picturised on Madhubala. Ashok Kumar was suave as Madhubala looked forever ethereal. Shakti Samanta altered the story somewhat and flipped it in to Chinatown (1962).

Chalti Ka Naam Gaadi (1958)

Director: Satyen BoseCast: Ashok Kumar, Madhubala, Kishore Kumar, Anoop Kumar

The laugh-a-riot movie, starring real life fighter Ashok, Anoop and Kishore had storyline turns each five minutes and transported portions of musicals, suspense, and love in addition to real slapstick. It was funny ribaldry in its very best. The 3 brothers were put on with their own timing. Ashok played with a former fighter who hates girls and who’s in the practice of boxing his brothers to entry. Kishore Kumar plays with a smart-aleck Romeo who will talk his way to any woman’s soul and Anoop plays with a timid, bumbling wannabe participant who would like to become that which Kishore is. The stunning Madhubala stopped everybody in their paths from the Ik ladki bheegi bhaagi si tune. The films additional strikes were Babu samjho ishare, Haal kaisa hai janaab ka as well as the evergreen Paanch rupaiya baara aana.

Kanoon (1960)

Manager: BR ChopraCast: Ashok Kumar, Rajendra Kumar, Nanda, Mehmood

In some time when songs had a huge hand in determining the destiny of a movie at the box office, BR Chopra took a daring step to create a song-less court drama. Kailash (Rajendra Kumar) is a climbing legal luminary and gauge Badriprasad’s (Ashok Kumar) protege. He is participated to this judge’s daughter Meena (Nanda). His brother-in-law and buddy Vijay (Mehmood) is at certain fiscal tussle using a moneylender Dhaniram (Om Prakash). Kailash goes into the moneylender to type out things and hides when he sees his father-in-law coming to fulfill Dhaniram. He is not able to view Dhaniram being chased by Badriprasad and conducts out from that point. Every time a small-time thief Kaalia (Nana Palsikar), is detained by the authorities for the murder, Kailash will be duty-bound to shield him. He , however, needs to be certain the truth never comes out. What happens next is the enthralling courtroom play using a nail-biting conclusion.

Bandini (1963)

Director: Bimal RoyCast: Nutan, Dharmendra, Ashok Kumar

Superlative performances with 3 celebrities, Nutan, Dharmendra and obviously Ashok Kumar, rescue the movie in the depths of melodrama. The movie belonged to Nutan however Ashok revealed why he had been a master of naturalist behaving together with his controlled portrayal of a distressed freedom fighter. Deven (Dharmendra) is a prison physician who falls in love with a few of those offenders, Kalyani (Nutan). Little by little, he comes to learn of her narrative. Kalyani falls in love with an independence fighter Bikash (Ashok Kumar) through the British Raj, who leaves her at the village promising to return. Bikash is married and conditions cause her to kill his wife and she is imprisoned for the offense. Afterwards, she must pick between the naturopathic physician and a ill Bikash…

Gumrah (1963)

Manager: B. R. ChopraCast: Ashok Kumar, Sunil Dutt, Mala Sinha, Nirupa Roy, Shashikala

Ashok Kumar plays with a wronged husband within this societal melodrama. B R Chopra requires a more comprehensive look in extra-marital affairs (brother Yash Chopra chose the storyline into some other tangent at Silsila). Ashok needed to do nothing but look debonair, stately and worldly-wise, a thing that he can do with a few of the hands tied to his back. Meena (Mala Sinha), a young girl marries her recently-deceased sister’s husband Ashok (Ashok Kumar) so as to increase her sister’s kids. In doing this she leaves her boyfriend Rajendra (Sunil Dutt) with whom she was intending to get wed. After a time, she meets him , and this also results in her having an affair with him .

Mamta (1966)

Director: Asit SenCast: Suchitra Sen, Ashok Kumar, Dharmendra

Mamta was a heroine-oriented movie. Suchitra Sen gave the functionality of a life within it. Ashok Kumar because her fan and after that foster daddy (she was a dual function ) had been an able foil into the hi-jinks histrionics exhibited by the celebrity. Calm and complex, he even gave his character that the gravitas that it deserved. Mamta is a movie of the Bengali film Uttar Falguni (1963), starring Suchitra Sen. Devyani (Suchitra Sen) is in love with Monish but circumstances force her to marry a much older guy. She’s a miserable marriage and can be made to run off and be a courtesan. She also leaves her daughter Suparna care of her former fan and also watches her grow up .

Jewel Thief (1967)

Director: Vijay AnandCast: Ashok Kumar, Dev Anand, Vyjayanthimala, Tanuja, Anju Mahendru, Helen

The manager had a yen for both showmanship and at Jewel Thief gave India among the greatest heist movies. Fabulous places, bizarre plots and wild girls are plot points of these movies and Goldie supplied all of them. Tanuja does not be afraid to shine in the tune Raat akeli hai in an effort to seduce Dev Anand, Anju Mahendru doesn’t have problems’sharing’ Jewel Thief along with different ladies. Additionally, it starred a somewhat libidinous protagonist, that does not tone down the Casanova action despite using a soft place for your heroine. SD Burman’s soft intimate songs such as Yeh dil na hota bechara, Aasman ke neeche, Dil pukaare are still stink as much today. Ashok Kumar played the suave villain, the mastermind, whose identity would be disclosed much sooner but we like the cat-and-mouse match played and Dev Anand.

Aashirwad (1968)

Director: Hrishikesh MukherjeeCast: Ashok Kumar, Sanjeev Kumar, Sumita Sanyal

Jogi Thakur (Ashok Kumar) has been an extremely principled man. He leaves house when he finds out his wife had arranged the homes of the weak be razed. He belongs to Mumbai and also makes a living doing odd tasks. He’s enjoy just a small woman, that informs him of his wife he has left . Afterwards he goes back to his village and then kills a guy who was attempting to rape a woman. He offers himself up to the authorities and can be given a life sentence. He is a model man and shortly wins everybody over in the prison. Some years after, he falls sick and can be treated with the prison physician (Sanjeev Kumar), who becomes his friend. He is pleased to find out that his daughter will be wed to the physician but hides that truth as it pertains to understand his daughter hates offenders. He is coincidentally published on the afternoon of the marriage and would like to watch being wed.. He unites the traces of beggars and therefore finds her from afar. Afterwards he has a heart attack and visiting the commotion, along with the physician and his wife come back to see and that is how his kid can watch him for the final time until he moves away. Ashok Kumar was commended for his Travels acting and won both National Award and also the Filmfare Award for his performance.